Sulphur, LA — 30.23° N / 93.37° W
DJ production and gear, from the same warehouse as everything else.
More than 30 years of load-ins. Festivals, arena tours, club shows, corporate events and brand activations. If the room has a DJ in it — a headliner, a support slot, a silent-disco block or a general-session walk-on — we handle the gear, the setup and the show.
Most production companies treat the DJ booth as an afterthought.
Most production companies treat the DJ booth as an afterthought — something to wedge between the audio rig and the lighting rig. We don't. DJ gear sits in our backline inventory alongside the drums, keyboards and guitar rigs, backed by the same warehouse, the same crews and the same trucks.
More than 30 years of load-ins. Festivals, arena tours, club shows, corporate events and brand activations. If the room has a DJ in it — a headliner, a support slot, a silent-disco block or a general-session walk-on — we handle the gear, the setup and the show.
Playback and mixers
Pioneer, Rane and Technics platforms with Serato support, for club, festival and corporate formats
Turntables
Technics for the riders that specify vinyl
Booth audio integration
the DJ rig tied cleanly into the house or festival system, not run as a separate island
Support gear
cabling, stands, isolation and monitoring, so the booth is show-ready on site, not improvised
Riders, handled
A DJ rider is no different from a band rider — it's a spec sheet, and the spec sheet is the contract. We read it the same way we read a stage plot: line by line, before the gear leaves the shop.
If the rider names specific units or software versions, we confirm against inventory before we quote. If the rider names something we don't carry, we source it. Gaps get filled externally when required — that's part of the job, and it happens before load-in, not during it.
The result is simple: the DJ walks up, the booth matches the rider, and nobody spends soundcheck negotiating replacements.
Where the gear goes
Festivals
DJ stages, side stages and silent-discos run on tight changeovers. We build the booth to swap fast and hold steady across a full day of acts. Festival Production →
Tours
Support slots and opening DJs travel light and expect the venue or the production company to cover the booth. We supply it as part of the touring package, consistent night to night. Touring Production →
Corporate and brand activations
A general session with a DJ walk-on, an after-party in a hotel ballroom — the scale changes; the standard doesn't.
Venues
Booths installed and integrated for rooms that host DJs regularly, wired into the house system properly rather than patched ad hoc every weekend. Installation & Integration →
Repairs and continuity
Gear fails. Cables short, faders go, units die at the worst possible moment. That's why repairs matter as much as inventory.
We handle basic repairs in-house — soldering, capacitor replacements, the kind of fixes that keep a show moving. Deep board and PCB work goes out to specialists by gear type, because pretending otherwise is how you lose a unit permanently. If a tour needs a piece we don't have, we source it externally.
When something fails at 4pm on show day, the answer is a spare in the warehouse and a tech who knows how to swap it. That's the whole philosophy, and it applies to the DJ booth the same as the line array.
Dry-hire, for the people who don't need us on site
Production companies, venues and promoters can take the gear without the crew. Tell us the units, the dates and where it's going — we'll quote the package, prep it and have it ready for pickup or delivery on our own fleet. That goes for backline across the board: Backline →
Dry-hire is business-to-business. If you need a producer and a crew alongside the booth, that's a different conversation, and Equipment Rental is still the right place to start it.
One company, one chain of accountability
We own the inventory. We run our own fleet. We staff our own crews. From the site survey to the last truck off the lot, one company is accountable — and the DJ booth is inside that chain, not bolted onto it.
That matters most when the schedule compresses. If the DJ set follows a general session in the same ballroom, the same crew flips the room instead of two vendors waiting on each other. If a festival DJ stage needs a video wall behind the booth, we're not subbing it out and hoping. LED Video →
It's a Parnelli Award–winning operation — Regional Lighting Company of the Year, 2022 — and the award reflects how the whole machine runs, booth included.
FAQ
What is DJ production gear?
It's the equipment a DJ performance runs on — playback and mixer platforms, turntables, booth monitoring and the cabling and support hardware that ties the booth into the wider sound system. On our site it lives inside backline: the performance equipment we own, prep and supply alongside the audio, lighting and video inventory.
Which DJ brands do you carry?
Pioneer, Rane and Technics hardware, running Serato. If your rider specifies units or software outside that list, tell us early — we source gaps externally when required, and the earlier we know, the better the odds before your date.
Can I rent DJ gear without a crew?
Yes, for production companies, venues and promoters. Dry-hire packages are quoted by unit, date and destination. If you want a tech on site for load-in and the set, say so in the same conversation and we'll fold it into one scope.
Do you cover DJ booths at festivals as well as club shows?
Yes. Festival DJ stages, side stages and after-parties are regular work for us. The difference is changeover speed and power planning, not the gear itself.
What happens if a unit fails during a show?
In-house repairs cover basic faults — soldering and component-level fixes that get a unit back in service. For deep board and PCB work we go to specialists by gear type. On site, the first answer is a spare and a swap, not a diagnosis.
I'm a DJ booking my own show. Who do I talk to?
Call the office at 337.626.2235 and describe the date, the venue and what the booth needs. If you're working with a promoter or production company, they can route the request to us as part of the wider production package.
Tell us
what the booth needs to do.
A rider, a stage plot or a rough idea — a date and a city is enough to start the conversation. You'll get a real producer, not a form response.